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SECTION A – Order as Control

A1 –  Managing, Building, Archiving: Corporate Architecture at the Roman Curia during the Early Modern Period

A1 – Managing, Building, Archiving: Corporate Architecture at the Roman Curia during the Early Modern Period

Cecilia Cristellon, Birgit Emich, Sebastian Glunz

SECTION A – Order as Control

A 2 – Corporate Architecture: Legal Structures and Built Spaces as Ordering Regimes of Corporate Modernity

A 2 – Corporate Architecture: Legal Structures and Built Spaces as Ordering Regimes of Corporate Modernity

Pietro Cesari, Daniel Damler

SECTION B – Order as Knowledge

B 1 – Orders of Knowledge and the Early Modern Architecture Theory

B 1 – Orders of Knowledge and the Early Modern Architecture Theory

Hans Aurenhammer

SECTION B – Order as Knowledge

B 2 – Concepts of Order in the Study of Architecture: Knowledge Transfer and Visualization Strategies

B 2 – Concepts of Order in the Study of Architecture: Knowledge Transfer and Visualization Strategies

Christina Clausen, Daniela Grotz, Christiane Salge

SECTION B – Order as Knowledge

B3 – Architectures of Algorithmic Order

B3 – Architectures of Algorithmic Order

Nadja Gaudillière, Oliver Tessmann

SECTION C – Order as Design

C 1 – Parallel Projection as ‘Symbolic Form’

C 1 – Parallel Projection as ‘Symbolic Form’

Chris Dähne, Sara Hillnhütter, Barbara Wittmann

SECTION C – Order as Design

C 2 – Contentious Urban Order: Contemporary Reconstruction Processes

C 2 – Contentious Urban Order: Contemporary Reconstruction Processes

Nina Gribat, Leonie Plänkers

SECTION C – Order as Design

C 3 – Architectural Concepts of Order in long-term Artistic Projects since 1980

C 3 – Architectural Concepts of Order in long-term Artistic Projects since 1980

Sina Brückner-Amin, Rembert Hüser

SECTION D – Order as Subjectification

D 1 – The Image of Architects: Constructions of the Subject and Social Notions of Order between Enlightenment and Modernity

D 1 – The Image of Architects: Constructions of the Subject and Social Notions of Order between Enlightenment and Modernity

Sarah Borree, Carsten Ruhl

SECTION D – Order as Subjectification

D 2 – Discourses on Masculinity in Architecture between Art and Technology

D 2 – Discourses on Masculinity in Architecture between Art and Technology

Stephanie Knuth, Tanja Paulitz

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